Checklist
All materials are from the papers of Priscilla Morgan unless noted otherwise.
Case 1
Case 2 Family
- Marian Barradale Morgan, c. 1910
- Henry Southmayd Morgan, c. 1915
- Priscilla Morgan, Nantucket, c. 1924
- Letter from Robert Dunbar Morgan, Priscilla’s brother, 1923
- Priscilla Morgan with brothers and neighborhood boys, Poughkeepsie, c. 1923
- Morgan family record, 1641-1894
Case 3 Vassar and Live Radio
- The Vassar arch, c. 1940 (courtesy of Vassar College)
- Priscilla Morgan and friends on a beer picnic near Vassar, c. 1939
- Priscilla Morgan, c. 1939
- Dinner in Josselyn Hall, c. 1938
- The Kate Smith Hour, radio broadcast, 1938 (courtesy of Photofest)
- The Aldrich Family, radio cast, c. 1942 (courtesy of Photofest)
Case 4 The Waves
- Priscilla Morgan and Isabel Wadsworth, Assistant to the Chief of U.S. Naval Operations, 1944
- Lieutenant Robert Dunbar Morgan, 1944
- Lieutenant Ralph Waldo Cummings, Priscilla’s fiancé, 1946
- Wedding announcement of Lieutenants Morgan and Cummings, New York Herald, 1946
- Frank Sinatra performing for the WAVES, 1943 (Life magazine)
- Lieutenant Priscilla Morgan and Frank Sinatra, 1943 (Life magazine)
Case 5 & 6 The Agent
- Theater poster for Two for the Seesaw, illustrated by René Bouché, 1958
- The director Arthur Penn, left, and the producer Fred Coe,1962 (courtesy of Photofest)
- The producer Martin Manulis, c. 1958 (courtesy of Photofest)
- The director John Frankenheimer, 1961 (courtesy of Photofest)
- Priscilla Morgan with Warren Beatty and Claudia Cardinale at the Venice Film Festival, 1965
- Three published play scripts, 1956-1961, Samuel French & Co. (reprinted c. 2004)
- Priscilla Morgan at work as a theatrical agent, c. 1964
- Priscilla Morgan and the agent Audrey Wood, c. 1952
- Letter from the producer Martin Manulis, 1978
- Letter from the agent Abe Lastfogel, head of the William Morris Agency, 1957
- Hello Dolly!, score for the title song, music and lyrics by Jerry Herman, 1963
Case 7 René Bouché
- Caricature of René Bouché by Alexander Calder, pencil on paper, c. 1955
- Letter from René Bouché (partial), c. 1957
- René Bouché, c. 1958 (photo by Richard Avedon)
- Portrait of Priscilla Morgan (reproduction) by René Bouché, oil on canvas, 1957 (photo by Doug Kuntz)
- Menu, Pan American World Airways, with ballpoint pen drawing by René Bouché, 1956
Case 8 Circle of Artists
- Janice Biala, drawing of Priscilla Morgan, pencil on paper, 1965
- Card from Samuel Barber, 1965
- Postcard from Calvert Coggeshall, 1971
- Priscilla Morgan and Willem de Kooning in Rome, 1969
- Postcard from Christo and Jeanne-Claude, 1991
- Card from R. Buckminster Fuller, c. 1965
- “Fax-art” letter from Robert Wilson, 2007
Cases 9 & 10 Rome and Paris
- Eugene Berman, costume sketch for the Stravinsky opera Rénard, gouache on paper, 1967
- Notes of Thanks, piano works by Alexei Haieff, including “Chanteuse,” dedicated to Priscilla Morgan, 1961
- Priscilla Morgan in Rome, 1962
- Fashion designer Elsa Schiaparelli, Paris, 1969 (photo by Marie Cosindas)
- Telegram from Elsa Schiaparelli, 1967
- The opera designer Eugene Berman, Rome, 1970
- Letter from Eugene Berman, 1966
- The American expatriate Carmen Angleton, Rome, c. 1965 (photo by Eugene Berman)
- Letter from Carmen Angleton, 1966
Case 11 Surrounded by Art
- Priscilla Morgan’s apartment, New York City, c. 1970
- Priscilla Morgan’s farm, c. 1960
- Richard Lindner, Untitled, oil on paper, 1958, inscribed to Priscilla Morgan
Case 12 Writers Respond
- R. Buckminster Fuller, Nine Chains to the Moon, 1967, inscribed to Priscilla Morgan
- Sir Roland Penrose, Picasso: His Life and Work, 1959, inscribed to Priscilla Morgan
- Ezra Pound, Literary Essays, 1972 (originally published 1918), inscribed to Priscilla Morgan
Cases 13 & 14 The Spoleto Festival
- Piazza del Duomo, Spoleto, Italy, postcard, c. 1960
- Gian Carlo Menotti and Ezra Pound, 1969
- Ezra Pound, Buckminster Fuller and Isamu Noguchi in Spoleto, 1969 (photo by Robin Duke)
- Priscilla Morgan in Spoleto, 1965
- Spoleto Festival souvenir book with cover by Saul Steinberg, 1969
- Letter from Gian Carlo Menotti, 1970
- Priscilla Morgan and Gian Carlo Menotti on the Lido, Venice, c. 1967
- Priscilla Morgan and the conductor Christopher Keane, c. 1966
- Priscilla Morgan, the Italian painter Afro, and Willem de Kooning, Spoleto, 1969
- Postcard edition of the Spoleto Festival poster by Willem de Kooning, 1974
- Postcard edition of the Spoleto Festival poster by Richard Lindner, 1967
- Card from Gian Carlo Menotti, 1972
- Telegram from Priscilla Morgan to Menotti, 1963
Case 15 Spoletosphere
- Buckminster Fuller seeing his geodesic dome, designed for performances, upon his arrival at Spoleto, 1967
- Reminiscence by Priscilla Morgan on the Spoletosphere construction, 1986
- Priscilla Morgan and the music patron Alice Tully, Spoleto, 1964
- Gian Carlo Menotti and Buckminster Fuller at the Spoletosphere, 1967
- Letter from Menotti’s assistant, Frank Rizzo, 1967
- Priscilla Morgan and Ezra Pound, 1969 (photo by Robin Duke)
Case 16 Isamu Noguchi
- Priscilla Morgan and Isamu Noguchi, Spoleto, 1967
- Letter from Isamu Noguchi on hand-lined Japanese paper, 1960
- Isamu Noguchi in Venice, 1973 (photo by Oreste Capuoto)
- Letter from Isamu Noguchi, 1972
Case 17 & 18 Nogughi's Studios
- Noguchi’s studio, Mure, Japan, c. 1975
- Isamu Noguchi, c. 1970
- Priscilla Morgan working with Noguchi on the Akari (lantern) business, c. 1970
- An example of Akari designed by Isamu Noguchi, 1969 (photo by Kevin Noble)
- Isamu Noguchi and Buckminster Fuller, c. 1970 (photo by Arnold Eagle)
- Priscilla Morgan and the architect Shoji Sadao, 1961
- Letter from Isamu Noguchi on hand-lined Japanese paper, 1960
- Letter from Isamu Noguchi, 1972
- Priscilla Morgan at the opening of the Noguchi garden California Scenario, Costa Mesa, California, 1982
- Letter from Isamu Noguchi, 1973
- Postcard from Isamu Noguchi, 1960
Case 19 Legacy of Friendship
- Janice Biala, Untitled (Duomo at Spoleto), mixed-media collage on paper, 1968
Case 20 Legacy of Friendship
- The New York Observer, profile of Priscilla Morgan, 2004
- Priscilla Morgan at Isamu Noguchi’s studio in Japan, 1984
- Emma de Kooning Villeneuve, “An Old Friend,” handwritten essay, 2003