The Arts

Past Events

Photo of a conductor and members of an orchestra
Feb. 25, 2023, 8:00 p.m.

Eduardo Navega, conductor.

This is an in-person event that will also be streamed live

Someone dancing in a dark, crowded room with their hair flipping around.

Join PHOCUS, Vassar’s only student photography organization, for a guest lecture by a multidisciplinary artist who will speak about their work involving photography, community, and issues of labor, class, queerness, and representation. Q&A to follow.

Feb. 23 – Feb. 25, 2023

An inventive retelling of a Jacobean drama, Jen Silverman’s sharp, subversive fable debates how much our souls are worth when hope is hard to come by. Directed by Claire McHarg. Senior project members: Kelly Hatfield, Louise Ambler, Jack Francis, Emma Skinner, Rose Trammell, Presley Wheeler. Free and open to the public, reservations required.

An ALANA, ASU, BSU & SOCA Collaboration Presents “Liberation Through Black Expression”—A formal evening centered around Black creative expression. Thursday, February 16 @6:00 PM, Frances Lehman Loeb Art Center.
Feb. 16, 2023, 6:00 p.m.

An evening of student artwork, poetry, and performances at the Frances Lehman Loeb Art Center. Refreshments will be served.

Hailed as a ‘personable polymath’ in the London Times, Bill Barclay ’03 is a director, composer, writer, and producer. He joins us to discuss his work Le Chevalier, a full-length play detailing Joseph Bologne, Chevalier de Saint-Georges’ true friendships with Mozart and Marie Antoinette, and his unknown contribution to the abolishment of slavery.

Welcome to Indian Country is an evening-length celebration of Native culture through music and storytelling. A world-class, five-piece musical ensemble is joined by storyteller and Washington State Poet Laureate Rena Priest. Together they weave new compositions and songs with witty, wise, and poignant poetry and satire to honor the elders and ancestors.

Audio

Heidi Latsky

Vassar Repertory Dance Theatre performs works selected from the current repertory by faculty, students, and guest choreographers, including a special appearance by the Heidi Latsky Dance Company. Tickets are free but must be reserved.

Kate McGloughlin

From Requiem to Solace: Artwork Inspired by the Ashokan Reservoir. Artist Kate McGloughlin will speak about how the devastation endured by her ancestors during the creation of the Ashokan Reservoir influences and inspires her work. Sponsored by Late Night at the Loeb and the Consortium on Forced Migration, Displacement, and Education.

Indra Spring Flow Tenri Rehearsal

​​Digital scores can change in real time during a performance, allowing for exciting and spontaneous interaction and improvisation. This workshop will explore this emerging performance practice using the software Indra, culminating in a conducted group improvisation. Participants should bring an instrument and a Mac laptop. A student-only event. Registration required.

Modfest word mark

Honoring the founders of MODfest, we celebrate the “meanings and measures” of modern musical works: Richard Wilson’s Avuncularities (2022) for solo trombone and Perplexities (2022) for oboe and English horn, violin, viola, and cello; and Serenity (2021) for solo piano by Jonathan Chenette.

This is an in-person event that will also be streamed live

Sketching Loss and Remembrance: An Art Workshop. Work alongside Kate McGloughlin in creating your own original work using India ink. Art supplies provided free of charge. Please email creativearts@vassar.edu to reserve a spot, space is limited. 

Photo graph of photo collage featuring multiple circular images on a white field
Jan. 27, 2023, 12:00–1:00 p.m.

The Palmer Gallery exhibit Imploding Meaning: Tale-less Tales About Absolutely Nothing and Everything In Between features the work of M. Pettee Olsen, Michael Oatman, Rosanne Walsh, and Monica Church—all of whom will be speaking at this event. 

 

Vassar College’s Muslim Students Association (MSA) presents excerpts from the new play Wedding Scraps by Arshia Iqbal ’23a senior thesis project that serves as a funny peek into the world of diasporic Desi kids and their collective efforts to find home.

Black and white photo collage with an image of an old house and the words: New York Supreme Court and Ashokan Reservoir
Jan. 26 – Feb. 19, 2023

An exhibit of artwork by Kate McGloughlin depicts the beauty and sorrow inherent in the Ashokan Reservoir. Kate’s family lost both land and community to reservoir construction. There will also be an artist talk in the second week of the festival during Late Night at the Loeb. This exhibit is sponsored by the Consortium on Forced Migration, Displacement, and Education.

An abstract canvas filled with thick swirls of paint.
Jan. 26, 2023, 5:00–7:00 p.m.

The Palmer Gallery exhibit Imploding Meaning: Tale-less Tales About Absolutely Nothing and Everything In Between features the work of M. Pettee Olsen, Michael Oatman, Rosanne Walsh, and Monica Church.

Dark blue abstract painting by Nari Ward titled, Breathing Bars Diagonal Left, with radiating gold lines from a diamond shape in the center out
Jan. 21 – Sep. 10, 2023

How do artists help us see or shape the past and future? Works ranging from Matthew Vassar’s initial bequest in 1864 to the Loeb’s most recent gifts and acquisitions will cluster in visual dialogues thematizing past, present, and future as categories in constant states of flux and transformation.

A hanging scroll featuring an aerial view of buildings and a waterfall from the Edo period, Japan..

This illustrated lecture by a Wesleyan University professor of art history and East Asian studies will focus on visual narratives spun by the Kumano nuns in early modern Japan for fundraising purposes and the paintings they used, called sankei mandara or “pilgrimage mandalas.”

An aerial view of the entrance to the Loeb Art Center with fall foliage.
Dec. 8, 2022

Explore the Frances Lehman Loeb Art Center while listening to music sung by the Vassar College Women’s Chorus and Choir at 6:30 p.m.

Lessons and carols
Dec. 4, 2022, 7:00 p.m.

This annual Advent service at the Vassar College Chapel features readings, choral anthems, and congregational carols, culminating in a candle lighting ceremony. Vassar College Choir, Chamber Singers, and Women’s Chorus, and Cappella Festiva Ensembles will perform.

This is an in-person event that was recorded.

Illustrative image of a black and white house with a magenta sky and blue ground
Dec. 1, 8:00 p.m. – Dec. 3, 2022

In this Drama Department senior project, Mrs. Lemarchand, a well-to-do woman and a study in megalomania, draws her innocent cleaner, Hilda, into a trap from which there is no escape. 

Campus community only, please.

Eduardo Navega conducting a performance.
Nov. 19, 2022, 8:00 p.m.

Eduardo Navega, conductor

This concert is free and open to the public.

This is an in-person event that will also be streamed live

Three dancers onstage support a fourth dancer who is leaning back.
Nov. 17, 7:00 p.m. – Nov. 19, 2022

The Vassar Repertory Dance Theatre presents three programs of new choreography by guest choreographers Mike Tyus and Amy Hall Garner, as well as faculty and student works. This is a free but ticketed event, reservations required.

Artist Xu Bing seated in a chair looking towards the left.
Nov. 16, 2022, 6:00 pm

One of the best-known artists on the world stage, Xu Bing has made real impact in China and abroad. His talk will be given in Chinese, with simultaneous translation provided.

Campus community only, please.

a closeup of music professor Christine Howlett conducting.
Nov. 12, 2022, 8:00 p.m.

Christine Howlett, conductor

Love Arrives: Music of Debussy, Poulenc, and contemporary compositions by Levente Gyöngyösi, Joan Symko, Tom Trenney, Mari Esabel Valverde, and arrangements of Gilbert and Sullivan by Joel Suben. 

This concert is free and open to the public.

This is an in-person event that will also be streamed live

Two women in red and black Mariachi outfits standing against a red background.
Nov. 6, 2022, 3:00 p.m.

Latin GRAMMY winner Flor de Toloache is New York City’s first and only all­-women mariachi group. Led by singers Mireya I. Ramos and Shae Fiol, the group’s members hail from diverse cultural backgrounds resulting in an edgy, versatile, and fresh take on traditional Mexican music.

a black-and-white still from the 1928 silent film "Joan of Arc" featuring a closeup of the character Joan.

An oratorio with silent film combines a performance of Richard Einhorn’s 1994 choral and orchestral work, Voices of Light, with Carl Theodor Dreyer’s 1928 silent film classic, The Passion of Joan of Arc. At the Bardavon 1869 Opera House. Free tickets are available for Vassar students by emailing concerts@vassar.edu.  Regular tickets are available for purchase at bardavon.com.

headshot of poet and UMass professor Abigail Chabitnoy

Chabitnoy, a Koniag descendant (Aleut) and member of the Tangirnaq Native Village in Kodiak, is an award-winning writer and an Assistant Professor of English at UMass Amherst. Her works include How to Dress a Fish, which addresses the lives disrupted by the Indian boarding school policy of the U.S. government.

Nov. 3, 8:00 p.m. – Nov. 5, 2022

A Drama Department senior project in which the ensemble cast tells the story of Pippin, a young prince who longs to find passion and adventure in his life. Campus community only, please.

 

poet Wayne Koestenbaum seated in front of a table with abstract art works on the wall behind him.

Koestenbaum—a poet, critic, fiction-writer, artist, filmmaker, and performer—has published 22 books and received an American Academy of Arts and Letters Award in Literature in 2020. He is a Distinguished Professor of English, French, and Comparative Literature at the City University of New York Graduate Center.

students having lunch at the Bridge Cafe in the Bridge for Laboratory Sciences
Oct. 27 – Nov. 17, 2022

Join us for our 20- to 30-minute lunchtime recital series by members of the Vassar College Chamber Music Program. Thursdays, October 27 and November 3, 10, & 17 at 12 noon.

headshot of Dr. Jonathan Michael Square of Parsons School of Design

Dr. Square is Assistant Professor at Parsons School of Design and a fellow in the Costume Institute at the Metropolitan Museum of Art. He will speak about his present research, which explores connections between histories of enslavement and the fashion system.

an art installation featuring a clothing rack hung with garments, masks and wigs.

Blake’s work explores play, eroticism, and the subjective experiences of desire, power, and loss. Inspired by feminist theory and queer subcultures, they address the contradictions of representation in sculptures, drawings, performances, and videos, particularly as it relates to their own identity as a nonbinary multiracial artist.

People wearing broad-brimmed hats seated on the ground strumming stringed instruments with palm trees in the background.

An exploration of individual and collective history as viewed through multiple lenses, proposing alternatives to the systemic representations ordered by colonial narratives. Gallery talk & opening reception: October 28, 2022, 5:00–7:00 p.m.