Upcoming Events

Apr. 12, 2025, 12:00 p.m.

Perspectives of Love: a Senior Recital by Talia Mayo, soprano. An afternoon reflection on how love changes over time featuring works by Gioachino Rossini, Gabriel Fauré, Adam Guettel, Jason Robert Brown, and more.

Rehearsal image focused on one singer with others in the background.
Apr. 12, 2025, 4:00 p.m.

A Musical Repast. What is better than food and music? Music about food! Songs about eating by Orlando Gibbons, Clément Jannequin and others. Drew Minter, conductor

This is an in-person event that will also be streamed live

Apr. 17, 2025, 12:00 p.m.

Join us for our 20-30 minute lunchtime recital series by members of the Vassar College Chamber Music Program. Eduardo Navega, director.

Post-Beydoun/Stern Dialogue with an image of Professor Kimberly Williams Brown and Restorative Practices Director Amanda Munroe.

Join Amanda Munroe, Director of Restorative Practices, and Professor Kimberly Williams Brown, Director of Engaged Pluralism, in one of our intergroup dialogue sessions following Khaled Beydoun and Ken Stern's moderated discussion.

Campus community only, please.

Five dancers dressed in grey and black, facing to their left with one arm overhead and the other arm across their bodies.

Vassar Repertory Dance Theatre presents a series of three Spring Concerts on April 17 at 7 p.m., and April 19th at 1:30 p.m. and 7 p.m. The programs feature hip-hop, ballet, modern and contemporary choreography including works by Merce Cunningham and George Balanchine as well as new pieces by faculty and students.

Illustration of a tree in black on white background.

Sondheim’s classic American musical inspired by traditional fairy tales. Music and Lyrics by Stephen Sondheim, book by James Lapine. This production is a senior project led by Annie Brewer, Liam Oley, and Abby Wilson.

Victor Ray, PhD, with a beard and mustache wearing a light blue collared shirt, navy blue tie, and a light gray jacket.

In this talk, Victor Ray, F. Wendell Miller Associate Professor of Sociology at the University of Iowa, draws on two central critical race theory concepts—racial progress narratives and interest convergence—to explain the current backlash to racial inclusion.