Playing with Chaos: Reimagining Musical Improvisation through Unpredictable Audio Technologies
Skinner Hall of Music
Many principles of music composition evince a desire for tonal, thematic, and formal control. From Pythagoras to Schoenberg, musicians have proposed pitch systems that act as unified laws for a well-structured musical universe. Missing from these sonic systems, however, are qualities of chaos, randomness, and unpredictability. Nevertheless, musical interpretations of chaos have appeared over the centuries. This lecture-performance surveys past expressions of sonic disorder in music by Haydn, Beethoven, and Mahler, among others. As an electro-acoustic composer, Alexander Bonus details recent technologies that generate scientifically accurate expressions of musical uncertainty in real time. This event culminates in an original, never-to-be-replicated performance pitting compositional order against moments of sonic unknowability. Using analog modular synthesizers as agents of tonal, rhythmical, and temporal chaos, this performance seeks to answer the hypothetical: “What would we hear if we could continually open (and shut) Erwin Schrödinger’s music box?”
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MODfest 2025